Good day faithful blog-readers,
you are reading Post #1 of my Second Annual Oscar Wishlist. As those of
you who read last year’s list know: most
individuals have some sort of Christmas Wishlist (of what they would get in an
ideal world where they could have anything they wanted) or even a Fantasy
Football Wishlist (made up of all their favorite players regardless of team
affiliation), but not I; I have an Oscar Wishlist –a list of who and what should be nominated based solely on
the truth
and caliber of the work, a list
uninterested in Hollywood’s awards' season politics, a list of the lineup of
nominees that Seth McFarlane and Emma Stone should have announced that early Thursday
morning, and a list of the names and films that should be called the night of
the 24th (Oscar night) in the Kodak theater. This year has
marked a return to epic, brave, and daring (albeit not always 100% successful) studio film-making, and thus this year’s list includes a greater number of
studio-generated films than last year’s indie-heavy selection. Also this year’s
Wishlist includes a higher percentage of actual nominees than it did last year
(the Academy got a lot more right in 2013 than in 2012).